From BlenderWiki
[edit] Basic Mesh Modelling
In this section we will describe some of the most common Mesh editing tools: Extrude, Spin, Spin Dup, Screw, Warp and To Sphere.
Each tool is described using a simple tutorial. Extrude is explained by going through a simple set of steps for making a sword. Spin is explained by making a simple wine glass. Spin Dup is explained by making the hour mark on a clock face. Screw is explained by literally making a screw. Warp is explained by warping some 3D text around a sphere. And finally, To Sphere is explained by changing a cube in a sphere.
[edit] Extrude
One tool of paramount importance for working with Meshes is the Extrude command (E). This command allows you to create parallelepiped from rectangles and cylinders from circles, as well as easily create such things as tree limbs. Although the process is quite intuitive, the principles behind Extrude are fairly elaborate as discussed below.
- First, the algorithm determines the outside edge-loop of the Extrude; that is, which among the selected edges will be changed into faces. By default, the algorithm considers edges belonging to two or more selected faces as internal, and hence not part of the loop.
- The edges in the edge-loop are then changed into faces.
- If the edges in the edge-loop belong to only one face in the complete mesh, then all of the selected faces are duplicated and linked to the newly created faces. For example, rectangles will result in parallelepiped during this stage.
- In other cases, the selected faces are linked to the newly created faces but not duplicated. This prevents undesired faces from being retained “inside” the resulting mesh. This distinction is extremely important since it ensures the construction of consistently coherent, closed volumes at all times when using Extrude.
- Edges not belonging to selected faces, which form an “open” edge-loop, are duplicated and a new face is created between the new edge and the original one.
- Single selected vertices which do not belong to selected edges are duplicated and a new edge is created between the two.
Grab mode is automatically started when the Extrude algorithm terminates, so newly created faces, edges, and vertices can be moved around with the mouse. Extrude is one of the most frequently used modelling tools in Blender. It’s simple, straightforward, and easy to use, yet very powerful. The following short lesson describes how to build a sword using Extrude.
[edit] The Blade
- Start Blender and delete the default cube. In top view (NumPad 7) add a mesh circle with eight vertices. Move (G) the vertices so they match the configuration shown in (Deformed circle, to become the blade cross section).
- Select all the vertices (A) and scale them down with the S so the shape fits in two grid units. Switch to front view with NumPad 1.
- The shape we’ve created is the base of the blade. Using Extrude we’ll create the blade in a few simple steps. With all vertices selected press E, or click the Extrude button in the Mesh Tools Panel of the Editing Context (F9 – Extrude button in Editing context).
- A box will pop up asking Ok? Extrude (Extrude confirmation box). Click this text or press Enter to confirm, otherwise move the mouse outside or press Esc to exit. If you now move the mouse you’ll see that Blender has duplicated the vertices, connected them to the original ones with edges and faces, and has entered grab mode.
- Move the new vertices up 30 units, constraining the movement with Ctrl, then click LMB
to confirm their new position and scale them down a little bit with the S (The Blade).
- Press E again to extrude the tip of the blade, then move the vertices five units up. To make the blade end in one vertex, scale the top vertices down to 0.000 (hold Ctrl for this) and press W → Remove Doubles (Mesh Edit Menu) or click the Rem Doubles button in the Editing context (F9). Blender will inform you that it has removed seven of the eight vertices and only one vertex remains. The blade is complete! (The completed blade)
 Mesh Edit Menu. |  The completed blade. |
[edit] The Handle
- Leave edit mode and move the blade to the side. Add a UVsphere with 16 segments and rings and deselect all the vertices with the A.
- Borderselect the top three rings of vertices with B and delete them with X → Vertices (UV sphere for the handle: vertices to be removed).
- Select the top ring of vertices and extrude them. Move the ring up four units and scale them up a bit (First extrusion for the handle), then extrude and move four units again twice and scale the last ring down a bit (Complete handle).
 First extrusion for the handle. |  Complete handle. |
- Leave Edit Mode and scale the entire handle down so that it’s in proportion with the blade. Place it just under the blade.
[edit] The Hilt
By now you should be used to the “extrude → move → scale” sequence, so try to model a nice hilt with it. Start out with a cube and extrude different sides a few times, scaling them where needed. You should be able to get something like that shown in (Complete Hilt).
After texturing, the sword looks like (Finished sword, with textures and materials).
As you can see, Extrude is a very powerful tool that allows you to model relatively complex objects very quickly; the entire sword was created in less than one half hour. Getting the hang of “extrude → move → scale” will make your life as a Blender modeller a lot easier.
[edit] Mirror
Mode: Edit Mode, Object Mode
Hotkey: M in Edit Mode; Ctrl M in Object Mode
Menu: Mesh/Curve/Surface/Object → Mirror → Axis corresponding to the wanted transformation orientation
The mirror tool is the exact equivalent of scaling by -1 to flip Objects, Vertice, Edges, Faces around one chosen pivot point and in the direction of one chosen axis only it is faster/handier.
Let’s see this in detail.
[edit] In Edit Mode
[edit] Pivot point
Pivot points must be set first. To learn more about the Pivot points see this page.
Pivot points will become the centre of symmetry.
If the widget is turned on it will always show where the Pivot point is.
[edit] Transformation orientation
Transformation orientations are found on the 3D area header, next to the Widget buttons. They decide of which coordinate system will rule the mirroring.
For mirroring the available transformation orientations are:
- View, i.e. the coordinate system of the view plane of the 3D area where the transformation will occur;
- Normal, i.e. the coordinate system based on the direction and location of normals for Meshes;
- Local, i.e. the coordinate system of the Object itself;
- Global, i.e. the coordinate system of the World;
[edit] Axis of symmetry
For each transformation orientation one of its axis along which the mirroring will occur.
As we can see the possibilities are infinite and the freedom complete: we can position the Pivot point at any location around which we want the mirroring to occur, chose one transformation orientation and then one axis on it.
Here are three examples given to help figuring out what needs to be done and what result can be expected. In each case the whole geometry was duplicated with Shift D and the resulting copy was mirrored.
On (Mirror around the Individual centre…) the Pivot point default to Median point of the selection of vertices in Edit mode. This is a special case of the Edit mode as explained on the Pivot point page. The chosen transformation orientation is Global and the chosen axis is Y.
On (Mirror around the 3D cursor…) the Pivot point is the 3D Cursor, the transformation orientation is Local, a.k.a. the Object space, and the axis of transformation is X.
On (Mirror around an active vertex…) the vertex at the very tip of the spout is the Pivot point by choosing the Active Object option and then A to select all vertices followed by RMB 
twice on that vertex to make it active. The transformation orientation is View and the axis of transformation is X.
[edit] In Object Mode
Mirroring is also available in Object mode but it is limited to Local (Object space) transformations. Any other orientation gives wrong results. The following example shows what could go wrong and what a proper result should look like.
On (Only Local space works…) the red teapot is a mirrored copy of the blue one along the Global Y axis. Because the blue teapot is rotated relatively to the World this mirror resulted into an upside down copy of the original. Any transformation that is made at an angle from the Local axes of the transformed object will give wrong results.
The green teapot is also a copy of the blue one but is has been mirrored along the Local Z axis of that same blue teapot, resulting in a perfect mirror copy (colours were added afterwards).
On (Mirror menu in Object mode) we can see the choice of the three Local axes which are the only ones usable. Notice also the shortcuts to the extreme right.
On (Pop-up menu after using Ctrl M) we see the same choices which pop up in the 3D area after using the Ctrl M shortcut.
[edit] In Conclusion
To summarise our survey of the Mirror tool a few recommendations:
- Do not mistake it for the Mirror modifier.
- Also remember that the results are the exact equivalent of a scale=-1 along an axis of the current transform orientation (TO). The advantage of the Mirror tool over this is that it is faster to use and almost foolproof.
[edit] Spin and SpinDup
Spin and Spin Dup are two very powerful modelling tools allowing you to easily create bodies of revolution or axially periodic structures.
[edit] Spin
Use the Spin tool to create the sort of objects that you would produce on a lathe (this tool is often called a “lathe”-tool or a “sweep”-tool in the literature, for this reason).
First, create a mesh representing the profile of your object. If you are modelling a hollow object, it is a good idea to thicken the outline. (Glass profile) shows the profile for a wine glass we will model as a demonstration.
In EditMode, with all the vertices selected, access the Editing Context (F9). The Degr button in the Mesh Tools panel indicates the number of degrees to spin the object (in this case we want a full 360° sweep).
The Steps button specifies how many profiles there will be in the sweep (Spin Buttons).
Like Spin Duplicate (discussed in the next section), the effects of Spin depend on the placement of the 3D cursor and which window (view) is active. We will be rotating the object around the cursor in the top view. Switch to the top view with NumPad 7.
- Place the cursor along the centre of the profile by selecting one of the vertices along the centre, and snapping the 3D cursor to that location with Shift S → Cursor -> Selection. (Glass profile, top view in Edit mode, just before spinning) shows the wine glass profile from top view, with the cursor correctly positioned.
Before continuing, note the number of vertices in the profile. You’ll find this information in the Info bar at the top of the Blender interface (Mesh data – Vertex and face numbers).
- Click the Spin button. If you have more than one 3D view open, the cursor will change to an arrow with a question mark and you will have to click in the window containing the top view before continuing. If you have only one 3D view open, the spin will happen immediately. (Spun profile) shows the result of a successful spin.
- The spin operation leaves duplicate vertices along the profile. You can select all vertices at the seam with Box select (B) shown in (Seam vertex selection) and perform a Remove Doubles operation.
Notice the selected vertex count before and after the Remove Doubles operation (Vertex count after removing doubles). If all goes well, the final vertex count (38 in this example) should match the number of the original profile noted in (Mesh data – Vertex and face numbers). If not, some vertices were missed and you will need to weld them manually. Or, worse, too many vertices will have been merged.
Merging two vertices in one
To merge (weld) two vertices together, select both of them by holding Shift and RMB
on them. Press S to start scaling and hold down Ctrl while scaling to scale the points down to 0 units in the X,Y and Z axis. LMB  to complete the scaling operation and click the Remove Doubles button in the Buttons window, Editing context (also available with W → Remove Doubles).
Alternatively, you can press W and select Merge from the appearing Menu (Merge menu). Then, in a new menu, choose whether the merged vertex will have to be at the center of the selected vertices or at the 3D cursor. The first choice is better in our case. |
All that remains now is to recalculate the normals by selecting all vertices and pressing Ctrl N and selecting Recalc Normals Outside from the pop-up menu. At this point you can leave EditMode and apply materials or smoothing, set up some lights, a camera and make a rendering. (Final render of the glasses) shows our wine glass in a finished state.
 |
[edit] SpinDup
The Spin Dup tool is a great way to quickly make a series of copies of an object along a circle. For example, if you have modelled a clock, and you now want to add hour marks. Model just one mark, in the 12 o’clock position (Hour mark indicated by the arrow). Select the mark and switch to the Editing Context with F9.
- Set the number of degrees in the Degr: NumButton in the Mesh Tools panel to 360. We want to make 12 copies of our object, so set the Steps to 12 (Spin Dup buttons).
- Switch the view to the one in which you wish to rotate the object by using the keypad. Note that the result of the Spin Dup command depends on the view you are using when you press the button.
- Position the 3D cursor at the centre of rotation. The objects will be rotated around this point. Note: To place the cursor at the precise location of an existing object or vertex, select the object or vertex, and press Shift S → Cursor -> Selection.
- Select the object you wish to duplicate and enter Edit Mode with Tab.
- In Edit Mode, select the vertices you want to duplicate (note that you can select all vertices with A or all of the vertices linked to the point under the cursor with L). See (Mesh selected and ready to be SpinDuped).
- Press the Spin Dup button. If you have more than one 3DWindow open, you will notice the mouse cursor change to an arrow with a question mark. Click in the window in which you want to perform your rotation. In this case, we want to use the front window (View selection for Spin Dup).
If the view you want is not visible, you can dismiss the arrow/question mark with Esc until you can switch a window to the appropriate view with the keypad.
When spin-duplicating an object 360 degrees, a duplicate object is placed at the same location of the first object, producing duplicate geometry.
You will notice that after clicking the Spin Dup button, the original geometry remains selected. To delete it, simply press X → Vertices. The source object is deleted, but the duplicated version beneath it remains (Removal of duplicated object).
If you like a little math you needn’t bother with duplicates because you can avoid them at the start. Just make 11 duplicates, not 12, and not around the whole 360°, but just through 330° (that is 360×11/12). This way no duplicate is placed over the original object.
In general, to make n duplicates over 360 degrees without overlapping, just spin n-1 objects over 360×(n-1)/n degrees.
(Final Clock Render) shows the final rendering of the clock.
 |
[edit] Screw
The Screw tool combines a repetitive Spin with a translation, to generate a screw-like, or spiral-shaped, object. Use this tool to create screws, springs, or shell-shaped structures.
The method for using the Screw function is strict:
- Set the 3DWindow to front view (NumPad 1).
- Place the 3DCursor at the position through which the rotation axis must pass. The rotation axis will be vertical.
- Your mesh object must contain both the profile to be spun and an open line of vertices to define how the profile is translated as it is spun. In the simplest case, the open line also serves as the profile to be spun; alternatively, a separate closed line (e.g., a circle as shown in the figure) can be specified as the profile. The open line can be a single edge, as shown in the figure, or a half circle, or whatever. You need only ensure that the line has two “free” ends (at a “free” end, a vertex is connected to only one other vertex). The Screw function uses these two points to calculate the translation vector that is added to the “Spin” for each full rotation (How to make a spring: before (left) and after (right) the Screw tool.). If these two vertices are at the same location, this creates a normal “Spin”. Otherwise, interesting things happen!
- Select all vertices that will participate in the “Screw”.
- Assign the NumButtons Steps: and Turns: in the Mesh Tools Panel the desired values. Steps: determines how many times the profile is repeated within each 360° rotation, while Turns: sets the number of complete 360° rotations to be performed.
- Press Screw
If there are multiple 3DWindows, the mouse cursor changes to a question mark. Click on the 3DWindow in which the Screw is to be executed.
If the two “free” ends are aligned vertically, the result is as seen above. If they are not, the vertical component of the translation vector remains equal to the vertical component of the vector joining the two “free” vertices, while the horizontal component generates an enlargement (or reduction) of the screw as shown in (Enlarging screw (right) obtained with the profile on the left). In this example the open line serves as the profile as well as defining the translation.
[edit] Warp Tool
The Warp tool is a little-known tool in Blender, partly because it is not found in the Editing Buttons window, and partly because it is only useful in very specific cases. At any rate, it is not something that the average Blender-user needs to use every day.
A piece of text wrapped into a ring shape is useful when creating flying logos, but it would be difficult to model without the use of the warp tool. For our example, we’ll warp the phrase “Amazingly Warped Text” around a sphere.
- First add the sphere.
- Then add the text in front view, in the Editing Context and Curve and Surface Panel set Extrude to 0.1 – making the text 3D, and set Bevel Depth to 0.01, adding a nice bevel to the edge. Make the Bev Resol 1 or 2 to have a smooth bevel and lower the resolution so that the vertex count will not be too high when you subdivide the object later on using (Curve and Surface) and (Font) panels.
- Convert the object to curves, then to a mesh (Alt C twice), because the warp tool does not work on text or on curves.
- Subdivide the mesh twice (W → Subdivide Multi → 2), so that the geometry will change shape cleanly, without artifacts.
 Font. |
Switch to top view and move the mesh away from the 3D cursor. This distance defines the radius of the warp. See (Top view of text and sphere).
Place the mesh in Edit Mode (Tab) and press A to select all vertices. Press Shift W to activate the warp tool. Move the mouse left or right to interactively define the amount of warp (Warped text). Holding down Ctrl makes warp change in steps of five degrees.
Now you can switch to camera view, add materials, lights and render (Final rendering).
[edit] To Sphere
Another of the lesser known tools is To Sphere (Shift Ctrl S). This command allows the creation of spheres from subdivided cubes.
First, start with a Cube. I will start with from fresh by Erasing All (Ctrl X).
- Press Tab to switch into Edit Mode.
- Make sure all the vertices of the cube are selected by pressing A twice. Then, go to the Editing context by pressing F9. You should be able to see the Mesh Tools panel now.
- Subdivide the cube by pressing the Subdivide button in the Mesh Tools panel, or by pressing W and clicking Subdivide. You can do this as many time as you want; the more you subdivide, the smoother your sphere will be.
- Click the To Sphere button now in the Mesh Tools. Select “100” to make your sphere. Alternatively, you can press Shift Ctrl S and move your mouse left or right to interactively control the proportion of “spherification” (or directly type a value, like “1.000” to achieve the same effect as above).
|
![[]](/skins/blender/open.png)
